Suron I

2025, diverse materials, various dimenions, Diploma Show Master Fines Arts ZHdK, Zürich

Straightening Plates, concrete, moss, iron, 6 × 23 × 60 cm

Levitated Expansion, EPS, levitation device, 139 × 20 × 20 cm

Queer Friends Never Let You Down, various mushrooms, nail polish, each approx. 5 × 5 × 10 cm
Boys in a Car, paper, 20 × 15 cm

further works: Paysage Composé, oil on canvas and wood, 30 × 20 cm
Larva Love, stones, beeswax, oil paint, 9 × 17 × 22 cm
Hündeler, reed, plastic, 15 × 35 × 120 cm
Strafbefehl, inkjet on paper 21 × 29.7 cm
picture: Cedric Eisenring

Native Salmo Trutta Fario, inkjet on paper, 21 × 29.7 cm, pictures: Sekt. Jagd & Fischerei Kt. AG

River Antics, plastics, objects, inkjet on paper, approx. 30 × 70 × 70 cm

My Mother, the River - 1992, c-print, 80 × 50 cm

Pesticides, chemicals, plastic bottle, paper, cardboard, approx. 19 × 15 × 10 cm
picture: Cedric Eisenring

A straightened river became the starting point for an artistic exploration of memory, loss, and queer hope. Through found objects, photographic fragments, and sculptural gestures, a portrait of a vulnerable ecosystem emerges. The work weaves together familial traces with agricultural exploitation and personal appropriation.